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It survives merely as a time capsule. Film spotlights the main failing of Screw, a periodical I never read Phssy in the day for the simple reason that it Bickley not erotic its misleading status but rather a compendium of low-humor, pandering to the "Adult" industry and of course a soap box for Goldstein. His "Midnight Blue" series had the same problem, ultimately self-destructing as a nightly rant where Al would swear and threaten his lawyer, an ex-wife or two, or anyone else who dared to cross his path and look at him sideways.

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It survives merely as a time capsule.

Film spotlights the main failing of Screw, a periodical I never read back in Desborough x milfs fucking day for the simple reason that it was not erotic its misleading status but rather a compendium of xdx, pandering to the "Adult" industry and of course a soap box for Goldstein. His "Midnight Blue" series had the same problem, ultimately self-destructing as a nightly rant where Al would swear and threaten his lawyer, an ex-wife or two, or anyone else who dared to cross his path and look at him sideways.

I was on good terms with Al, having interviewed him a couple of times and even toured his offices, so thankfully I never made it into his cross hairs.

Buckley, with bow tie and smarmy manner, is even more annoying than Goldstein in this particular project, taking writing and directing credits besides his on-screen intros. Skits are mainly unfunny, substituting vulgarity for humor.

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Key talent consists of Jody Maxwell and Honeysuckle Divine. Maxwell reappears in a lengthy, and idiotic, spoof of Johnny Carson's "Tonight Show" with Buckley as the Carson figure and Goldstein hardly even trying to be an Ed McMahon style sidekick.

With audience participation provided by A. Jones, Maxwell demonstrates her weird fellatio techniques, silly xdx than arousing. She also shows off her distended clitoris, much to Al's feigned amazement.

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Strictly a matter of taste is a lengthy after-hours filming of Honeysuckle Divine's low-down burlesque act at the Locust Strip Cinema in Philadelphia. Crediting the French entertainer Bcukley as "Le Petomane" immortalized on screen by Ugo Tognazzi in a now-obscure film I've never had a chance to seeDivine does stunts with her pussy that must have wowed folks "live", but are distressing to watch in this time capsule.

It's the tastelessness that defines the lion's share of porn and so-called adult entertainment, and is anti-erotic to say the least. Similarly, brief skits involving a school teacher Erica Eaton are dirty, not funny, and SOS generally fails to amuse. Tapping its counter-culture status, Screw presents a lengthy segment devoted to tattooing, featuring tattooists Spider Webb and Wife wants hot sex Gruetli Laager Shadow.

Ugly tattoos are Buckkley on Don Allen, who plays an army sergeant getting a blow job from a young recruit. It is posited as an "illustrated" vignette based on the "My Scene" column of Screw, supposedly printing readers' submitted real-life stories a la the later popular Penthouse forumsbut is narrated in stroke-book prose clearly fabricated by a Screw staff writer.

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The filmmakers have the temerity to dedicate SOS to Robert Youngson who died in and is known for his compilation films preserving cinema history. Perhaps the best segment in SOS is a stag movie "The Opium Den", presumably made available courtesy of Youngson's widow Jeanne, who also gets a special credit for her "bequest of smut from the past". Was this review helpful to you?